Zoe Strauss arrived at the press preview for her Ten Years installation at the Philadelphia Museum of Art yesterday sleepy-eyed, yet buoyant – her gray
hoodie and blue jeans a welcome contrast to the roving sea of cotton Dockers and tweed milling about the place.
Zoe Strauss came as she was. Nothing more. Nothing less. She came as the unassuming kid from the northeast who acted on an impulse to develop an installation underneath the beams of I-95 a little over 10 years ago. She came as the friendly neighborhood photog … an ambitious young storyteller who possessed the rare combination of guts and compassion necessary to wander into some of the city’s deepest pockets; to capture her subjects in that fleeting moment between spontaneous and staged; to befriend and document the travails of everyday people who had somehow managed to fall between the cracks. Continue reading →




