Moving On: Wild Bobby’s Circus Story

By Bob Hill

I was working the microphone of an eight-player race game located on the corner of 24th and the Boardwalk. I was living in a one-bedroom apartment less than two blocks away. My roommates were a pair of potheads named Jen and Heidi. Jen and Heidi had only agreed to take me on so they could afford to buy more weed.

Jen and I shared a room, and, what’s more, we shared a mattress. On certain nights, the two of us would lie awake, and we would debate what the repercussions might be if we decided to have sex. Eventually, one or both of us would fall asleep, beaded foreheads mingling sweat toward the center of our pillow.

Heidi slept alone, on an off-white futon in the living room. Heidi had recently been diagnosed with herpes, and, for a time, she would talk about this openly. Eventually, our social circle made an in-joke out of Heidi’s sexually transmitted disease. “Herpes Heidi! Herpes Heidi!” drunken hecklers would call out from behind Heidi at parties. Then one morning, Jen informed me that Heidi had moved out.

“Wow, really?” I responded. The two of us were still lying in bed.

“Yep,” Jen told me. Jen took a drag off of her cigarette.

“Want to have sex?” I asked Jen.

“Not right now,” Jen told me.

***

The day before I moved into Jen and Heidi’s apartment on 26th Street, I got fired from my job as a part-time dishwasher at Samuel’s Pancake House. I had landed the position through a friend, who was both gracious and sympathetic enough to put in a good word. What that friend did not account for was my drinking. Most mornings, the manager would either have to send someone to fetch me or gamble on letting the dishes pile up until I arrived. Once a shift, I would fall asleep while standing up. A stack of plates might shatter. The boys working the grill would look over at me and say things like, “Stupid motherfucker,” under their breath. Some days I’d arrive at work so famished, I’d sneak leftover scraps before scraping a plate into the garbage. I was entitled to one free meal at the tail-end of every shift. Other than that, I was living on a steady diet of cheap beer and nicotine, burning more electrolytes than my body could afford.

Anyway, the point being that eventually I got fired. What’s more, I had to sign over the only two paychecks I had received to a Korean girl named Ronnie, who, in turn, cashed those checks through her account for a nominal fee. I still hadn’t gotten any picture ID, and there wasn’t a check-cashing joint on the island game enough to accept the word of an 18-year old who was all cheek acne and bones.

Toward the end of July, I accepted an offer to talk to Bob Satanoff. Bob ran the Beach Grill and several other snack carts along Morey’s Pier. He also ran a water gun game on the west side of 24th Street.

“I hear you have a drinking problem,” Bob said to me, after I had introduced myself.

“Where’d you hear that?” I replied, taken aback.

“Bill Salerno,” Bob said.

“I don’t know who that is,” I said.

“Well, he knows who you are,” Bob said.

“Apparently not,” I shot back.

“You ever worked a game on the boardwalk?” Bob asked.

“No, but I can learn,” I said.

“Everybody thinks they can learn,” Bob told me.

“No, I’m serious,” I said. “I can do it. I swear.”

“You ever worked on a microphone?” Bob asked me.

“I used to be the lead singer of a band named 13,” I lied.

Bob hired me on the spot. The following morning I reported to the Beach Grill, where I collected my bank, and a set of keys. From there, I taught myself how to operate the stand.

My only full-time coworker was some slicked-back motherfucker named Dan. Dan worked the night shifts, whereas I worked the days. Dan was selling drugs out of the stand. My fourth day on the job, I found a quarter-ounce of weed buried inside a box full of plush behind the counter. One day later, some black dude with a scar across his chest approached the stand, asking where my “partner” was.

“Dan?” I said, sarcastically. “Dan won’t be around until tonight.”

The dude looked to his left, and then to his right. Then he looked directly at me.

“Yo, you holdin’?” the dude asked. He sniffled, wiped his nose clean with his hand.

“Holden who?” I wondered.

“Yo, nevermind,” the dude said.

He leaned the top half of his body over and into the stand, like a fisherman stretching starboard to reel in his catch. The dude was digging into a crate of stuffed animals now. “Anything I can do to help?” I asked. I had stashed the quarter-ounce of weed behind the stand earlier that morning.

“Nah, I’m good,” the dude said. He pulled his body from the bins, and then he shot me a knowing glance.

A few days later, Dan got fired – replaced by a 37-year old named Karen. Karen stood 5’2, tan and stocky. Karen wore a belt pack over a tanktop and short shorts. Karen was authoritative, and she liked to justify a lot of her attitude by saying, “I’m an agent, dude. The last thing I need is somebody trying to tell me what to do.”

Karen eventually agreed to let me work the stand alongside her (entirely off the clock). My goal was to attain some sense of how Karen achieved a natural rhythm on the microphone. But all I came away with was the sense that Karen wasn’t actually that good. The entire shift felt like a grind, punctuated by Karen smoking menthols in the corner, vaguely attempting to call in passing tourists between drags. There were prolonged spans of dead air time, uncomfortable periods during which Karen would school me on all the reasons people weren’t stopping by to play the game. Karen cited shitty lighting, half-ass flash, outdated stock, and a one-speaker sound system that was turned inward, rather than out.

“And I’ll tell you one other thing,” Karen insisted, “This stand’s located two blocks north of where all the real action is.”

Karen pulled a prescription pill bottle out of her windbreaker. She counted out a few whites, washed them back with a quick belt of water.

“Don’t ever get old, dude,” Karen instructed me. “Don’t ever get old, and don’t ever get scabies.”

***

I spent the next few nights wandering the boardwalk, gaining a feel for how the best microphone operators transitioned through a crowd. There was Ricky Nickels down on Midway Pier, whose nasal delivery seemed more suited to a DJ booth. There was a 6-ft Scottish chick who ran the race games down by Mariner’s Landing. And then there were Sean and E.J. Dougherty – a pair of brothers from South Philadelphia who both looked and sounded the part to a T.

Sean and E.J. ran the Gambit – a huge, free-standing race game located along the east side of 24th Street. Both brothers had second-generation ties to North Wildwood, and they also had an instinctive sense of what stood missing from a lot of the midway attractions. Gambit’s music, sound, and lighting were all fantastic. The Gambit was located one block south of Sportland Pier – a rotting piece of flotsam boasting old-school attractions like the Hell Hole and the House of Horrors. Sportland Pier was also home to Wild Wes and Lucky Lou, equal partners in an industrial-sized bushel joint situated directly across the way from Bob Satanoff’s water-gun game.

Lou was tall and fat, pot-bellied like a walrus. Wes was short and tan, with whitewash dentures and a mustache. Lou and Wes employed a molting nest of vipers, the lot of whom detested me on principle. The better I became at working on a microphone, the more those vipers hissed at me from across the boards. Every night at 6 pm when Karen showed up to relieve me, the Sportland boys would break out into applause. Most of them had worked with Karen, and they showered her with nicknames like Madame General and The Sarge.

The first Thursday in August, Bob Satanoff instructed me to hand-deliver Karen’s wages. Bob wrote Karen’s total on the outside of an envelope, which is how I discovered Karen was earning more than $600 per week (25% of her nightly gross, with no adjustment made for costs). I maxed out at $260 ($6 per hour with no taxes taken out). The revelation didn’t bother me so much as the fact that Karen sucked at what she was doing. Given the disparity, I intended upon proving that I was the bigger draw.

There was no chance of me rivaling Karen’s totals during an average beach day. But every time I caught a boardwalk afternoon (i.e. clouds but no rain), I’d throw down on that microphone much like a madman hawking cattle. I started running $3 races for $7 tigers, upselling dollar stock at $4-5 a pop. My day-time totals began to increase, and then double. Karen, on the other hand, grew increasingly frustrated, spending the first 10 minutes of every night shift dismissing whatever it was I had accomplished. “You had the clouds working for ya today,” she might comment, or “I’m guessing people spent so much this afternoon that they won’t put out a dime tonight.”

I’d taken to walking each afternoon’s total over to Bob Satanoff, thereby avoiding any risk of Karen taking credit for my work. Toward the end of August, Nick the Greek – the man who actually owned the boardwalk block that I was working on – handed me an envelope with a hundred dollars in it.

“Good work, Bill,” Nick said to me.

The day after I received that bonus, a slow and steady rain fell down upon North Wildwood. I sat alone along the counter, sifting through some old cassettes. I turned the speaker out toward the boardwalk, sang along into the microphone. Around 2 pm, Lucky Lou wandered over from across the way, leaned his back against the counter.

“How’s it goin’?” Lou wondered.

“How’s it goin’? It’s goin’ alright,” I said. “How’s it goin’ with you?”

“Aaaaaah, it’s a washout,” Lou said. He swung his body round to face me, squeezed the trigger of a water gun. “Might as well roll down the shutters and call it a day.”

“I hear ya,” I said, laughing. “I could use a few more hours of sleep, if you know what I’m sayin’.”

“So, listen,” Lou told me, completely ignoring my last comment. “I was talking to my guys over there, and we were wondering if you could do us a small favor.”

“Sure,” I said. “No problem. Just tell me what you need.”

“I, well, we, need you to stop singing over the microphone. Otherwise, the entire lot of us are gonna need to come over here and shove that goddamn speaker up your ass.”

Lou stood still and silent for a moment, sizing me up like a pitbull might a rabbit. He took a breath, then lumbered back across the boardwalk, where he fell asleep across a bed of plush.

Day 127

(Moving On is a regular feature on IFB)

©Copyright Bob Hill

Andre Aciman on New York City

“This is your walk and this is your moment and this is your time capsule, says the city every evening as I leave the mailroom and step outside to find the lights of Lincoln Square. This is the moment when you can take me and mold me and make me in your image, and I’ll be what you wish and I’ll take after all your wants and whims, I’ll woo you if I have to till you get used to me and love me. But after this I’ll harden into what you see now and what you want now, and I may never change again. Buildings will come and go, and today’s movie theaters will be gone soon enough, you will grow older too, but come the evening of every day, you’ll find me as you find me now, waiting for you to step out into the speckled evening to recall, once again, as ever again, that you and I are of one kind. This is your New York.”

Chief Sitting Bull on The One Percent (1877)

“Hear me, people: We have now to deal with another race – small and feeble when our fathers first met them, but now great and overbearing. Strangely enough, they have a mind to till the soil and the love of possession is a disease with them. These people have made many rules that the rich may break but the poor may not. They take their tithes from the poor and weak to support the rich and those who rule.”

Moving On: A Partial List of People I’ve Somehow Wronged Due to Drinking Over the Past 20 Years

Julie Andrews                    Nick Greto                      Kate Lockwood

Joe Austin                         Laurie Hand                    Meghan Mac

Geoff Beaver                     Erin Hart                         Joanna Martin

Elyce Beck                        Steph Hayes                     Michelle McMahon

Terri Bracken                    Bobbi-Jean Heil               Maggie McManus

Frank Brockway                Walt Heil                         Paudie McManus

Dave Brown                       Tim Hilferty                     Ed McNamara

Denny Brown                     Bob Hill                           Tonya Moore

Kim Browne                       Jen Hill                            Heather Moyle

Colleen Burke                   Patricia A. Hill                 John Mullin

Matt Burke                       Patricia K. Hill                  Jason Nichols

Elizabeth Burke                 Sam Hill                           Annie Niles

Michael Caless                    William Hill                      John O’Hurley

Alison Chambers               Jill Hoffman                     Jim O’Malley

Brendan Clark                  Becky Zahner-Huff           Jen Vu-Ortiz

Corrie Conklin                  Jack Huff                         Heather Osterberg

Megan Connelly                 Loren Hunt                      Diana Polansky

Liz Connolly                      Trina Ieradi                       Shelly Ray

Bruce Culp                         Rob Iler                            Rick Rau

Malia Dalesandry               Dave Imbrogno                Melonie Reid

Vera Davis                         Kristin Irving                    Kim Rubin

Kirsten Deane                   Debra Jacobs                     Eddie Rudolph

Autumn Donahue               Katie Jacobs                     Scott Russell

Brendan Donnelly               Todd Kaufmann                Bill Salerno

Chris Donnelly                    Jackie Keane                   Jennifer Siglin

E.J. Dougherty                    Heather Keating              Brian Smith

Sean Dougherty                  Monica Keenan                Melanie Smith

Erin Drumm                       Francine Kennedy            Anthony Scalia

Dave Duff                           Joe Kennedy                    Dominic Scalia

Alicia Farthing                    John Kennedy                  Karen Schwarz

Bill Feeley                           Tricia Kennedy                 Robin Spencer

Maria Feeley                        Rick Kline                       Kristen Stanley

Laura Flager                        Lindsay Kraycar              Jamie Stewart

Amy Flynn                           Zuzana Krejcova               Deanna Strong

Karen France                       Betsy Krill                        Natalie Stuchko

Jackie Fulginiti                    Diana Lallone                   Vesna Sukalo

Joann Fulginiti                     Susie Lauterborn              Renee Uekele

Astrid Gallagher                   Bob Lerario                      Rita Varano

Jesse Gallagher                    Amy Lindler                     Gerry Vessels

John Gallagher                    Annmarie Lloyd                 Doug White

Chris Gantz                          Mariellen Lloyd                 Steph Winters

Bernadette Geary                 Tom Lloyd                         Natasha Yates

Dana Mazzenga-Greto          Maureen Locke

 ***

(Please Note: If your name does not appear on this list, but I have, in fact, wronged you in some way due to drinking over the past 20 years, feel free to add your name in the comments section below. I’m sure I overlooked/blocked out a few episodes here and there. Either that, or you completely deserved whatever it is I did. If it’s the latter, I make no apology. If your name does appear on this list and you’re not sure why, feel free to contact me for an explanation.)

Day 114

(Moving On is a regular feature on IFB)

©Copyright Bob Hill

Film Capsule: Hit So Hard

Once upon a time, Patty Schemel was the internationally-renowned drummer of Hole.

Once upon a time, Patty Schemel was also a homeless drug addict, who regularly nodded off in MacArthur Park after turning tricks to support her habit.

Patty Schemel would like you to know she is no longer either of those things, and she’s doing just fine, all things considered, having made her peace with whatever demons might have been ravaging her back in those days.

This is the central premise of Hit So Hard, a new documentary featuring very old footage, much of it patched together via countless hours of homemade videos Schemel recorded between the Fall of 1994 and the Summer of 1995 – a crucial period during which Hole was at both the height of its collective power, and the constant verge of implosion.

These were the cataclysmic months during which Kurt Cobain committed suicide, Hole bassist Kristen Pfaff died of an overdose, and the whole fucking ball of yarn began to unravel.  Continue reading

Kurt Vonnegut on Censorship

“There is the word ‘motherfucker’ one time in my Slaughterhouse-Five, as in, ‘Get out of the road, you dumb motherfucker.’ Ever since that word was published, way back in 1969, children have been attempting to have intercourse with their mothers. When it will stop no one knows.”

Moving On: Maple Street Memories

By Bob Hill

You could tell by the way that kid came screaming around the corner – all high knees and elbows – there was trouble closing fast behind. Seconds later, a pair of shirtless silhouettes appeared in his wake, twin aluminum bats reflecting in the moonlight.

The kid was a quarter of the way down the block before one of the silhouettes wound up and let fly, chucking his bat end-over-end, like a pickaxe in mid-air. It struck the kid square in the back, propelling him forward, where he fumbled for a moment, before falling to the ground.

Then the entire world went silent, save for the static thud of aluminum alloy, and the guttural screams of that scrawny, helpless kid, writhing wildly on the sidewalk.

I watched the horrid episode from a second-story porch across the way. Once both the silhouettes had disappeared, I put my beer down and hurried off toward the steps.

“What the fuck are you doing?” my roommate John asked.

John was one of several roommates I was living with at the time. John had orange hair and pasty skin. John was staring over at me, a 12-ounce bottle in his hand.

“We gotta go see if that kid’s OK,” I said. I stood frozen at the top of a flight of stairs.

“The fuck we do,” John said. “Get back over here, man. You’re liable to get yourself killed down there.”

I looked across the street at that kid, who was struggling to his feet. He made it two steps, maybe three, before collapsing to the sidewalk. The kid was beaten, and bloody, and you could tell by several abbreviated movements that critical ligaments were no longer making full connections.

“C’mon, man,” John said.

I did an about-face. I started back toward my seat. As if on cue, a flatbed truck came zipping around the intersection – a pair of shirtless silhouettes standing upright in the back. The driver stopped just short of where that poor kid still lay, struggling. One of the silhouettes leaned down, picked up a brick from the flatbed, then launched it at the back of that kid’s head, delivering what appeared to be a knockout blow.

The truck peeled off heading west along Maple, followed less than 30 seconds later by the sound of EMTs arriving on the scene. Drunken neighbors went filtering out into the street now.

“You see?” John said, patting me on the shoulder. “No matter how bad it might seem, you don’t ever get involved. Ever.”

“I don’t know, man,” I said. “I still feel kind of bad.”

“Why?” John asked. “You don’t know who that kid was. You don’t know what he might’ve gotten himself into. In fact, you don’t know whether that kid just got exactly what he had coming to him, which is exactly why you do not get involved.”

I watched the kid get wheeled into an ambulance. It could’ve been me, according to John. Or maybe it didn’t have to be anyone. These ghetto streets weren’t made for martyrs.

***

During the first few weeks of that summer, John taught me how to work a job for a couple off-peak hours, then quit and suggest petty cash in lieu of paperwork. He taught me how to make a proper fist (I spent 18 years sandwiching my thumb inside four fingers), and he taught me about the Christian House – a nearby homeless shelter that offered cost-free meals three times a day.

The Christian House represented an ideal way to keep from starving. The only trade-off being that the bread was stale, and volunteers read from scripture at the beginning of each meal. “I was dying,” one guy sitting next to me insisted as we were eating one evening. “I’d been sleeping in this shed for damn near a month, without any food or water. Then one day, this asshole comes along and tosses me, for real. That same night a big ole’ snowstorm hit. That shit came piling down in droves, man. Real hard. Like so hard I got this frostbite all the way up on the foretips of my fingers.”

He lifted both hands, and then he wiggled his fingers, as if to show me it worked out.

“In the moments just before I was about to pass out, I looked down into this snowdrift, see. And I saw Jesus, and he was just staring right on up at me. There he was, man, plain as day. As soon as he appeared, I didn’t feel so cold no more. And when I looked back down the road, I could see this pair of headlights approachin’. Them headlights were attached to somethin’ big, man, a big ole’ fuckin’ truck, see. And so eventually, this truck driver, he slowed down to ask me if I needed a ride. Took me into town, man. Found me a warm bed. Saved my fuckin’ life, man. To this day, I truly believe that man to have been my savior. I ain’t never been the same since. Like, not ever. Never.”

It was still early June then, which meant dire straits for a poacher like me. What little scams I’d learned – counting cards, upselling beer for a dollar a can – required a constant flow of people, and there really weren’t any, at least during the week. I was sharing an apartment with 15 other tenants, and all of those tenants with the exception of me were weekenders. Come Sunday night, they would all drive back to Philadelphia. The loneliness didn’t affect me. I had become friends with Lou, the property manager, and I could always wander over to his place for some free beer and weed. Lou had introduced me to Vince – an African-American drug delaer from Bedford-Stuyesant. One night Vince told me the story of a rival drug dealer from Flatbush, Brooklyn. This dealer had beaten Vince’s brother for a bag of money and some coke. One week later, Vince and his crew had tracked that dealer down, jumped him from behind, forced him to the ground, and then hacked into his kneecaps with a machete. “You want to sever that motherfuckin’ ligament at just the right angle,” Vince assured me, demonstrating the downward motion with his arm. “Sometimes you even gotta step on that fucker’s hamstring for leverage, cause pulling a machete out of the flesh is a little bit like pulling a goddamn axe out of a tree.”

***

Alone and hungry, I would regularly break into the apartment upstairs, using a kitchen knife to slip the lock. On most occasions, I’d steal either a handful of loose change or a 5-oz box of macaroni and cheese. If I stole a box of macaroni and cheese, I would boil it on the stove in our apartment, then eat it raw out of the pot. If I stole a handful of change, I’d walk across the street to the Maple Deli, where I could usually afford either a pair of soft pretzels or a pack of Ramen noodles.

The first week in June, I landed a job as a cashier at Curley’s Fries. Curley’s was a popular boardwalk fry joint that employed a largely Mexican staff. Curley’s would pay me under the table (I had no photo ID), which meant that I would be capable of affording a cheeseburger or a bar of soap or a 12-pack of beer within a few days.

I was living with a group of jocks, the majority of whom had graduated from a rival high school back in Delaware County. John had emerged as the unofficial leader of the group, and it was John who had initially agreed to let me stay at the apartment. But it was also John who was charging me double what the other tenants were paying, a detail I did not become aware of until a few weeks down the line.

There were parties every Saturday, and by mid-June the apartment’s walls had gotten marked up and riddled with holes. The kitchen table had collapsed. There was a gaping tear along the living room ceiling. Fearing that we would get evicted, I started holding back rent. Money was tight, I reasoned, and if things eased up, I could still pay off the remaining balance before September. Shortly after, what little possessions I owned began disappearing from my bureau. One weekend, my portable radio went missing; the next weekend, a bag of cassettes. Battle lines were being drawn, and it did not take long before the majority of my roommates started walking away from me in mid-sentence. One of those roommates had even threatened to beat me up.

Toward the end of June, our landlord showed up with a pair of Class II police officers and ordered us to vacate the premises no later than July 5th. He posted an eviction notice on the apartment door. In response, my roommates planned one final blowout to coincide with the 4th of July. I packed my bags, and I left my belongings at a friend’s apartment on East 24th Street. I spent the first two weeks of July sleeping on the beach.

One night, I wound up walking the streets well past 2 am with a summer girl named Tonya. There were “too many drunk people lying about” for us to crash at Tonya’s apartment, so I decided to take her over to the ex-apartment on East Maple. The landlord couldn’t have completed all the necessary repairs, I figured, which meant the place would still be empty. What’s more, I knew three different ways to break into that apartment without a key.

When Tonya and I made a left onto Pacific Avenue two blocks south of Maple, a trio of drunk dudes fell in behind us.

“You lookin’ for somebody to walk you home?” one of the drunk dudes shouted to Tonya.

“I’m fine, thanks,” I responded.

“The fuck d’you say?” one of the drunk dudes shot back. He sprinted forward until he and I stood parallel. Then he elbowed Tonya out of the way. “The FUCK d’you say!?” he asked me a second time.

This dude had a shaved head, and he flicked his cigarette against my shirt. He made a proper fist, tight and white. He was backing me up now, against a storefront. I could feel my fight-or-flight response kick in. And that’s when something struck me … something strong and solid with the force of a wave. That something sent me stumbling. I landed on the sidewalk, where I curled into a ball.

“Are you FUCKIN’ with him?” I heard a gravelly voice demand from above. “I said, are you FUCKIN’ with him? Answer me, motherfucker. Are you or are you not FUCKIN’ with that white boy on the ground?”

It was Vince from Brooklyn. Vince had that dude jacked up against the storefront. The other two drunk dudes took off.

“Look at me,” Vince said, his tone more relaxed. “I want that you should look at me. Are you lookin’ at me?”

The drunk dude was looking at Vince.

“I want you to remember this face. D’you think you can remember this face?”

The drunk dude did believe that he could remember that face.

“I want you to remember this motherfucker too,” Vince said, forcing the drunk dude’s face down within a few inches of mine. “D’you think you can remember this motherfucker’s face?”

The drunk dude did believe that he could remember my face.

“You fuck with him,” Vince said, pointing to me with his index finger, “You fuck with me. We clear?”

They were.

“Now get the fuck out of here,” Vince tossed the drunk dude aside.

“Thanks, man,” I said. I was clapping gravel off both hands. “Seriously, thanks. Those guys would’ve killed me if it hadn’t been for you.”

“Tell me about it,” Vince said. There was a vein pulsing along the side of his neck. “I didn’t even realize that that was you until I got all up in that motherfucker’s grill.”

“You’re kidding,” I said.

“Nope,” Vince told me. “I wouldn’t kid about no shit like that.”

“So why intervene?” I said.

“I turned the corner and saw three wetback motherfuckers about to roll some skinny-ass white dude,” Vince said. “What the fuck was I supposed to do?”

 Day 107

***

(Moving On is a regular feature on IFB)

©Copyright Bob Hill

 

Film Capsule: Surviving Progress

Every time history repeats itself, the price goes up.

So goes the central theme – and cautionary advice – of Surviving Progress, a remarkable documentary directed by Mathieu Roy and Harold Crooks, and executive-produced by Martin Scorsese.

The angle, which Progress reinforces time and again, is that while the human race has made tremendous strides in terms of technological advancement, the cognitive modes human beings use to confront, and ultimately overcome, problems haven’t evolved worth a lick since the dawn of civilization.  Continue reading

Moving On: The Things We Think (& Do Not Say)

By Bob Hill

Twenty years ago in the side bedroom of a second-story shack on the 100 block of East Maple, two drunk kids set to wrestling at each other in the dark – he in a second-hand pair of Umbros, she in a pink-cotton halter and button-fly skirt.

The room was damp and quiet. The walls were white and bare. And the gaping void between filled up with shadows from each passing car.

The windowsills ran vile, a stagnant film of dust and paint. There were twin beds on both sides, pushed up against the walls. The buttons from the mattress pierced her back at jagged angles, carving tiny cuts into the left side of her shoulder.

He pushed the halter up above her chest. She pushed the Umbros down below his thighs.

He used his foot to push her skirt down, heard it jangle, and then crash.

Her neck, it smelled like nicotine. His breath, it reeked like booze.

They’d been seeing each other for three weeks now, and he’d been homeless nearly all that time. The first and only date they’d shared was a last-minute trip to see The Cutting Edge. He would always remember that she insisted on paying because he had no money to his name. She would always remember dropping him off outside a party, how he never thought to ask her in.

There came a pounding at the door now, followed by a turning of the knob. The two of them ignored the noise, descended deep into each other’s arms. His hands, they felt like meat hooks, and she kept digging in behind. She was clinging tight and desperate, latching on in desperation.

He lunged forward with an awkward shift, fell inside her with a sigh.

She braced herself against the storm, gripped a pillow to her side.

His hair was whipping fast now, loose strands brushing across her face, and through her mouth. She kept her eyes fixed on the ceiling, cracked and spotty, full of mold.

She handed him a cigarette, then lit one for herself. He pinched the filter like a bedbug, blew the smoke out with a shrug. He studied how she took each puff, measured how she held each drag. She eased her head onto a pillow, ashed her smoke onto the ground. He waited till she looked away before repeating the same move.

When the rod burned down to cotton, she cast her butt into a can. Then she set her frame against his arm, took note of his last drag.

She had a thousand misconceptions about who he was and where he’d been.

He feared how things might change after reality set in.

Day 104

(Moving On is a regular feature on IFB)

©Copyright Bob Hill